Author: TJBRWN

  • Good time for a change

    I need a break, so I’m taking a break. I’m going to be taking some time off to reassess my streaming schedule and approach. Right now I’m thinking about going live maybe once or twice a week, and spending more time in the Uke Tribe’s Woodshed for anyone who wants to hang out or listen to some proper practice.

    Proper practice is the stuff that happens in the background to make music seem magical. It’s become clear to me (and upon the continued insistence of my voice coach) that I need to put a lot of focused work into learning to sing songs off of sheet music. I need to know what notes I’m singing. I thought I just needed to sing more, but now I know I need to be more intentional with what I’m singing.

    I don’t mind spending a half hour working the same phrase until I can land it perfectly every time. Putting that out there for other people to watch though, I’m not sure. Unless you’re a musician as well, I can’t imagine it would be very interesting. And if you are a musician, go practice on your own instead of watching me!

    I’ve been pretending like I’ve been singing for my whole life and can effortlessly pick up songs on the fly, but in truth its only been a little over a year since I started taking it seriously. The ease of picking up new songs is due to me not actually singing the tunes and just going with whatever “feels right,” which wouldn’t be a problem if what I felt was right was actually right, but my ears are not actually developed enough for that yet.

    I want to be like those guys who’ve been doing it for decades, only, I haven’t been doing it that long. The plan was fake it till you make it, but now that I know a better way, I feel compelled to pursue it. It’s incredibly helpful to have a teacher be able to listen to you and say directly: that’s not it, you can do better. I want to do better.

    Being entertaining is different than being a good musician. Well, I guess that’s arguable, but in my view that musical ability is a different set of skills than stage presence. Being on stream includes crowd work, taking on random requests, being able to adapt on the fly to what you think the people listening want to hear. That’s quite different than practicing hitting the right notes in just the right way.

    I’ve learned a ton about being in front of the camera and trying to entertain from the time I’ve spent streaming this year, and I feel a lot more confident about just playing in front of people now. The nervousness of going live has largely faded after doing it every day, so now I think it’ll be in my best interest to change my approach and focus more on improving the quality of my product .

    When learning about entrepreneurship, there was an important concept called a “pivot.” Sometimes it becomes necessary to rethink ones course of action and change directions to better attain the goal. On one hand, there are cases where you stop digging a meter before striking gold. On the other, maybe there’s no gold to be had at all and we should be looking elsewhere. How does one decide?

    In my case, I was asked to fill out a survey about my condition for the doctor at Stanford that insurance refuses to continue sending me to. In it I realized that my constant fatigue after streaming was probably related to my condition. I’ve been telling myself since the beginning of the year that the exhaustion was just a physical limit because I’ve been pretty sedentary for so long, and holding on to the hope that I would get used to it. I thought it was one of those things like when you start jogging its pretty rough, but eventually you get into the groove once it becomes a habit.

    But after 10 months and an objective review of just how fatigued I’ve been all the time, I think its time to let go of that hope. Part of the impetus was because I was waiting for one more operation that could possibly get me fixed and upright again, so I wanted to prepare for that day. I wanted to get as much experience playing “in front of people” as I could, and basically hammer out the nervousness of playing live.

    That much I think I’ve accomplished. After playing every weekday in front of my camera for almost a year, the fear of messing up in public has greatly diminished. At the start, whenever people would pop in, send a few chats, then disappear, the interaction would stick with me for days and I’d mull over what I could have done better. That happens much less now, but its still only been a year, and I’m far from up to par – not anything like someone who has been getting up on stage regularly their whole life. Good enough that I’m more or less comfortable with people watching and hearing my play though.

    It’s still a little different playing to people in the same room as me, but after a few songs most of that tension melts away. I’d like to get more experience playing in rooms and with other people, but my physical limitations really make that pretty difficult. For now this desire has to go in the ” if it happens it happens” box instead of the “lets make this a goal we achieve no matter what” one.

    Since the operation to get me upright again fizzled out and there isn’t much hope for that kind of thing on the horizon, the pressure to be prepared to go outside and play has been released. Further, my attempts to actually go outside and play have been rewarded with a week-long malaise from overexertion. The two times I went to the beach to play uke were successful, but it took over a week for me to feel normal again afterward. It was pretty intense. The days that followed were basically spent zoning out, and it was really rough to get through the next weeks streams. Not fun.

    A constant theme on my journey is though the mind may be willing, the body is often not. Life is best for me when I listen to my body. The consequences are pretty severe if I don’t. Every now and then I try to test the limits and push myself, and well, I just described what happens when I go outside. So, it seems the vision of going out to play poolside for the tourists probably isn’t going to be happening until some major change happens. And that’s ok.

    What am I trying to do, anyway?

    When the going gets tough, the goal is what should keep you pushing through. Is what you want to achieve worth the effort? What are the steps, however challenging, to create the outcome you desire? I’ve spent several of these monthly reviews discussing my difficulty with formulating a clear destination for my journey. That’s fine, when you don’t know, the goal can be to figure out what the goal should be.

    The main goal has always been to become a better musician. One of my biggest issues was a lack of experience being the front person who stands center stage and runs the show. Another issue was that I hadn’t really sung in front of other people very much before. Music is a social activity, and I felt like this aspect of my skill set was very lacking. So I turned my camera on and sang for whoever stopped by.

    Increasing the subscriber count of the YouTube channel was an objective measure of finding people interested in the music I was making. I tried many different approaches to finding new people: learned about streaming culture, dabbled in several social media platforms, and of course just kept showing up consistently in my little corner to perform. I am relatively satisfied with the results, though I had to give up on many promising ideas because I couldn’t physically or mentally handle it.

    If the goal was only to get more subscribers, I definitely could have done more and done better. Part of changing the amount of time I’m going to spend streaming live is to allow more energy to be spent on promotional activities. Being thoroughly exhausted all the time meant I couldn’t follow through on things like making new videos, shorts, or participating in social media. I still don’t like social media much, but as someone literally constrained to my bed, it is the most obvious way for me to find “my people.”

    Since the goal is to be a better musician, being better at making the music itself seems like a good priority for me. I personally enjoy a bit of punk ethos, singing out of key and just making noise – making unforgettable experiences with music. But then I also desire to be a bit more refined. I greatly appreciate the craft of making music, all the details that go in to how you play or sing or choose what notes and chords to use.

    I’ve spent most of this year in the first category, saying screw it I’m gonna sing and if you don’t like it, go away. Now I’m thinking I want to spend more time developing my technical skills. Sing in tune, sing the right notes, and get better at adapting sheet music for ukulele. I’ve also been struggling with making solos and instrumental breaks, and I expect this more focused work to help improve that too. Trying hard is fun.

    My problem is that I have enough fun on my own that I’m liable to not bother with that whole playing music for other people part of the equation. Some people really enjoy the attention and thrill of being up on stage, but I’m more happy finding satisfaction in a job well done after its over. That satisfaction of a result of my internal monitoring, based on if I did all the things I set out to do. A positive reaction from the audience is just a bonus to a job well done.

    That’s why having a consistent schedule worked well for me: it wasn’t about wanting to play in front of the camera, it just what I was going to do, so I did it. I’m not trying to be famous, I just want to be better at making music. The best idea I could come up with on my own was to throw myself out there and grind away at my stage fright while I expanded my repertoire. I figure any practice is better than no practice. Every experience helps one improve.

    After working with a professional coach, I have been shown a path that promises to elevate my abilities beyond what I could have imagined on my own, and so now is the time to take those lessons to heart and put in the energy to reach that higher plane. For those interested in that process, I am still planning to broadcast my practice sessions on the Uke Tribe Discord, but those will be strictly practice sessions. I’ll probably be open to answer questions and chill and chat or take requests, but if I’m working on something specific I may also just choose to say no and stay focused.

    For now, I’m going to take the next week off, and decide how often I want to live stream moving forward through the holiday season. I kind of wanted to keep streaming through the end of the year just to say I did it, but I’m just so tired of being tired all the time that I’m getting over it. So, better to stop now before I burn out completely and just walk away. Updates will be posted on the front page.

    Thanks for sticking around. The journey continues!

  • I Became a Legend After my 10 Year-Long Ukulele Stand (4)

    Today was a Tenor ukulele day, because I want to work on being able to swap back and forth with less friction. It was pretty quite on the audience front, so played a bunch of late 90s / early 00’s alt rock at the start, noodled a while, and ended with some chill songs.

    I can’t think enough to write a full recap so… I’m not gonna stress about it. Will I ever stop being tired?

  • I Became a Legend After my 10 Year-Long Ukulele Stand (3)

    I’m too tired to do this today. Man, it’s been almost a week since I tried going out and I’m still not back to normal.

  • I Became a Legend After my 10 Year-Long Ukulele Stand (2)

    Still not feeling great, but I made it through another day. Played some new songs, did a liked drum ‘n uke, played more goth tunes, and talked religion for a while at the end there. Was pretty fun overall!

    Here are some songs that stood out to me today: 

    • New Songs Attempted
      • Bound for the Floor – Local H
      • Harness Your Hopes – Pavement
      • Bones – Low Roar
    • Works in Progress
      • Operator – Jim Croche
      • Red Morning Light – Kings of Leon
      • What if God Was One of Us? – Joan Osborne
    • Learned Songs Revisited
      • Chaise Lounge – Wet Leg
      • Aliens Exist – Blink 182
      • Shes in Parties – Bauhaus
    • Song of the Day
  • I Became a Legend After my 10 Year-Long Ukulele Stand

    We broke a string while live today! Luckily I just ordered some new ones so hopefully we’ll get to feature the Fanner full time next week. I’m still not quite back to 100% after last Friday, so I’m going to keep this recap short.

  • Beach Stream!

    Wow the ocean was pretty loud. The beach I went to was much smaller than I expected, and the waves were coming up almost to my feet, so maybe that’s why. But better than crazy wind I suppose. It was a little scary because I had no way to monitor my sound or tell how the stream was doing, so just kind of had to pray and jam.

    This beach is like 5 mins away from my home, but with moving gear, setting up, then cleaning up sand and stuff afterwards, it was about a half hour of upright time both ways. I was a total zombie the whole rest of they day, and even still off kilter the day after. Kind of rough. I might only be able to do this if I get outside help.

    I’m playing my Tenor Mele Ukulele today because it already has some battle scars. The Baritone is too nice to take out by the sand and sea, but I would totally use that for like, restaurant gigs if they ever come. I think I gotta practice with the Tenor a bit more regularly. It’s also a great ukulele.

    Also could only choose one platform to stream on, so I streamed on twitch and I’m reuploading the set here. Sorry, doesn’t look like chat was saved on the video. Couldn’t figure out how to set up my rig so I could see chat and capture me and the beach either. Idk, learning experiences. If anyone has ideas please share!

  • The Exiled Heavy Ukulele Knows How to Game the System (4)

    Had my first voice lesson in almost a month, and it was quite a workout! I talk a bit about it in the video, and start with a lot of the new songs I’ve been working on. About halfway through I decide to switch to the Tenor uke because I’m not ready to take the baritone to the beach yet, and I’m thinking about trying to go tomorrow. If the body is up for it, I may try.

    Here are some songs that stood out to me today: 

    • Works in Progress
      • Gold Soundz – Pavement
      • Machinehead – Bush
      • Operator – Jim Coche
    • Learned Songs Revisited
      • The Real Slim Shady – Eminem
      • Vindicated – Dashboard Confessional
      • If you could only see – Tonic

  • The Exiled Heavy Ukulele Knows How to Game the System (3)

    Here are some songs that stood out to me today: 

    • New Songs Attempted
      • Gold Soundz – Pavement
      • Machinehead – Bush
      • Red Morning Light – Kings of Leon
    • Works in Progress
      • Cats in the Cradle – Harry Chapin
      • Operator – Jim Croche
    • Learned Songs Revisited
      • Understand – BoyWithUke
      • Ride – Twenty One Pilots
    • Song of the Day: Gold Soundz – Pavement
      • I really like this song, and it was fun to finally figure it out. I’ve been listening to a lot of Pavement recently, and there’s a couple more by them I want to pick up, but this was my number one choice. And I think it came out pretty nice. Actually Machinehead felt pretty good too, maybe that’ll be tomorrow’s song!

  • The Exiled Heavy Ukulele Knows How to Game the System (2)

    I had a conversation with a new viewer about some classic songs, and decided to try pick them up. I’ve had multiple requests for Operator, so I took some time before the stream to figure out a version. The instrumental bits are definitely all fake, but I think its a passable version. That and Cats in the Cradle are fun songs, now they’re stuck in my head. Got me thinking about some other father/son songs that I started the day off with.

    Then, it’s October so i figured I’d work on some of the “goth” set. It’s sort of like Christmas time, but for dark and gloomy stuff. I like a lot of that 80s vibe a lot so its nice that its “appropriate” now.

    Here are some songs that stood out to me today: 

    • New Songs Attempted
      • Operator – Jim Croche
      • Cats in the Cradle – Harry Chapin
      • Tear you Apart – She Wants Revenge
    • Works in Progress
      • Tha Crossroads – Bone Thugs N Harmony
      • Broken Wings – Mister Mister
      • Father and Son – Cat Stevens
    • Learned Songs Revisited
      • Under the Milky Way Tonight – The Church
      • The Killing Moon – Echo and the Bunnymen
      • The Sweetest Perfection – Depeche Mode
    • Song of the Day: Get Me Away From Here I’m Dying – Belle and Sebastian
      • I had a request from a comment to talk about the strumming pattern I used in this song, and actually had to stop for a while and think about my approach to it. It’s kind of funny, trying to describe how it works is whole different mental process than just picking out what seems to sound right for the song. Well, hope it helps, but also it was nice to have a reason to come back to this song.