Category: Reality

Writings about my real life challenges, perspectives, plans, and lessons learned.

  • Trouble in Paradise

    TL;DR I’m dumb. The buzzing was caused by me touching my phone while it was charging. Seems like touching a charging cable electrifies you in a way that can’t be felt, but can be picked up by a sensitive device like the Sparrow. 100% user error. Problem has been solved and the uke still plays like a dream.

    So, above is the short version. It was entirely my inexperience with electric ukes that caused this non-problem. But since I am documenting this experience, I would be remiss to admit that this did cause me several days of frustration!

    It started when I was noodling around practicing my F scales in the woodshed with a couple of the gang tuning in. I’ve been learning more about overdrives and amps and was playing with a high-gain effects patch with tons of spacy reverb to explore lush layers of sound. It was really good fun, but toward the end I started noticing that horrifying sound of static popping from a failing instrument cable.

    Here’s a sample of the style (made after the problem was solved)to listen to while reading my tale of being a total steel-string magnetic coil instrument noob:

    Since I was playing live, the only thing to do was stay as still as possible and hope it wouldn’t be too intrusive. But of course playing moves the instrument around, so I couldn’t avoid the static attack. It was only in the woodshed though, so nobody cares if you drop the ball, but its never fun to have that kind of thing interrupt your playing.

    So right after we wrapped up I tried plugging the chord into one of my acoustic-electrics to see if it was the cable that was messed up. There was no issue with that. Yikes. It might not be so obvious in this initial short because this was recorded just with my phone mic so I could talk and describe the problem, but a little further down is another example of me recreating the issue in a much clearer manner while recording with my line-in signal.

    (Both shorts are unlisted and should only be visible within the context of this post.)

    The next day I opened up the back panel (with a little effort – the back was really hard to take off initially! It did come off eventually) to take a look at the wiring inside. I’m am admittedly not savvy when it comes to things like this, but I can at least identify crossed wires or things that look out of place. I’ll say I am well versed in the tried-and-true “poke it and see if that is the problem” method. Well, the wiring looked pretty meticulously and clean. There seemed to be no issues with the internal construction.

    It was actually pretty cool to look inside and see the hollow-ness of my uke. Sorry, hard not to get distracted by the craftsmanship. Anyway, I noticed that I could cause the popping by touching the little foil strip that was next to the input jack. I’ve since learned that this is electromagnetic shielding, but before diving into this issue I didn’t really understand why the base and back plate were covered by such nice shiny and obviously carefully placed foil.

    Since poking that point caused some static, and putting pressure on the back plate seemed to be a trigger for the issue. I decided to try put a piece of tape on top to break the connection to the foil on the shielding plate.

    This seemed to mostly clear up the issue. Mostly. The static and popping was still there, just a lesser amount. And that’s really no good if I’m trying to create lush walls of sound. But was late so I went to sleep and decided to try work on it in the morning.

    To my surprise, in the morning things had changed. Instead of static popping, my sound signal was cutting out completely in a classic display of a faulty instrument cable. Was it the cable after all? I redid the check with an acoustic-electric, and it was still fine. But still not ok in the electric. Very strange.

    So I swapped out the cable, and… the complete signal loss stopped, but the static popping remained. My running theory for this is that because the Sparrow is about 1/2 the thickness of my acoustic ukes, it presses up against my bed in a different manner than the acoustics, causing problems with it that my acoustics might avoid. I’ve ordered a right-angle cable for the electric uke that should be better.

    Ok, so fresh cable in, problem still persists. Next I thought that because I’m laying in bed, I maybe I could be putting an unusual pressure on the back plate that caused the block of the Tone knob to hit the foil and cause some sort of loop. So I put tape on top of that rectangle too. No change. I was out of ideas, so it was time to ask the Uke Tribe if they had any ideas. So I grabbed my phone and made another video to show what was happening.

    Ironically, I unplugged my phone from charging to use the camera kit and capture the line in tone… and the buzzing stopped! D’oh! This video was captured by touching the charging cable even when the phone wasn’t plugged in, which I quickly discovered was a thing once I identified the culprit.

    So in short: using the phone by itself is fine. Touching the charging cable by itself is not fine. Using the phone while it is charging is also not okay. But otherwise, there is no problem. I took off the tape that was interrupting the shielding contact, and it played again like the day I got it.

    I certainly didn’t anticipate that my entire body would become slightly charged by just touching this cable. Thinking about it further, I suspect most people who are sitting or standing while playing probably have their phone on a desk or at arms length somehow so they may rarely have the charging cable in contact with their body while playing. And since my acoustic-electrics are all piezo-based, the extra charge never caused any problems.

    So in the end it kind of was a special issue caused by my unique situation. But if you ever hear a buzz when you put your charging phone down on your lap… there is a supremely simple fix to the problem. Don’t touch that wire while playing! It could happen to you!

    If you are new to the electric instrument game like me, maybe my experience here can save you some headache. Let’s have fun rocking our ukes, not troubleshooting random static!

  • Blues is the path to Jazz

    I wasn’t really ready to start this project, so a lot of it will be slowly built out live. But now that the ball is rolling, nothing to do but chase after it. It all started when I randomly clicked on a Reddit post promoting the Ukulele Tribe Discord. That was apparently formed after some drama on the Ukulele Underground forums, but I haven’t dug too far into that and frankly don’t care much for drama. Anyway, I joined both groups, and wanted to share my electric uke journey with them, and so pulled the trigger on making my own little corner of the internet. 

    As it happens, a new friend from the discord who is an actual professional musician has been giving me some great advice on different ways to improve, so that’s been taking up an unexpected amount of time. But I’m spending the time to act on the advice because it will be so clearly useful to me. It’s really not anything super unheard of before – focus when you practice, learn the notes on your fretboard, listen to music that defines the style you want to play. 

    When I mentioned I wanted to play jazz, he suggested that I start by getting really familiar with blues. Well, to tell the truth, I’ve never been super interested in blues music. I love all the complexity inherent in jazz and have listened to quite a lot of that, but my musical tastes have always been a bit eclectic. My favorite genres are shoegaze, goth rock, punk, emo, hardcore, ska, industrial, idm, some edm, a range of jazz styles (bebop, big band, neo and electro-swing, gypsy, modal, smooth, swing), ambient and experimental, classical, and of course, anime songs. 

    Notably missing from this list are blues and pop. Actually I have a fondness for 80’s, 90’s and early 00’s music, but a lot of early rock and classic pop eludes me. I don’t mind most of it, but I don’t usually choose to listen to a lot of the more well known artists of the past half century. When I want to perform, I usually feel a need to go out of my way to find songs that I hope other people have heard. And since I’m starting this project to put myself and my music in front of people, 

    So I put together a playlist of songs I think that I would like to perform, and I think that people would like to hear. The advice was to work on 3 songs at a time and polish them up to become performance ready, so that will be the project for the tenor and singing for the foreseeable future. These aren’t really songs that I would choose to polish for the sake of singing to myself, but I like them enough to put the work in to present it to the world. I would really like to do more of my eclectic favorites, but maybe that can wait until I have more of an audience. 

    The next piece of advice was that if I want to play jazz, I should listen to more blues and learn to play it. Makes sense, if I want to play a certain genre, I should learn about its roots and develop a sense of how it got to be what it is. And so begins a journey to learn the blues. I was actually surprised, the original blues are a lot more raw and soulful than I had expected. I am quite liking it too actually. 

    And learning to love the 12-bar blues is looking to be more exciting than I had expected too. Tonight I spent a couple hours just noodling a scale over the progression while learning where the notes on my fretboard are. Imagine that, nearly 10 years in and I never took the time to properly learn my fretboard notes before. I mean, for the majority of what I play, I only needed to know my chords and to be able to sing in tune. That was until I got bit by the baritone bug earlier this year and developed a taste for fingerstyle. And developed aspirations to actually be able to solo during the instrumental breaks, and maybe one day play solo jazz ukulele. 

    Here’s a little taste of my 12-bar blues noodling:

    Apparently a generic 12-bar blues progression in F is copyrighted, but for now they seem to be allowing me to post the backing track, just in case anyone feels like some noodly practice of their own:

    Well, it’s up for now. And yes, that’s a Digitone 2. I need to do a whole rundown my setup now that this channel is live, so stay tuned. I still think some better should music come first though.

  • Hello World!

    And so begins the tale of Isekai Ukulele!

    I’ve been disabled for nearly a decade now, and haven’t been able to be very productive with my time. Even now its a constant challenge to put useful effort forward beyond just taking care of my every day needs. But I’ve had this idea for a creative project for several months now, and a series of unexpected events has led to the start of this journey a little sooner than expected. So initially I’ll be doing a little retroactive stuff like this, but soon enough I hope to keep it live!